Wilson, August
- In Abbotson, Susan C. W. Masterpieces
of 20th Century American Drama. Westport, Conn.: Greenwood Press, 2005. pp. 191-210.
Criticism -- The Piano Lesson
- In Bigsby, C.W.E. Modern American Drama,
1945-1990. Cambridge, England; New York, NY, USA : Cambridge
University Press, 1992. pp. 285-298.
Criticism -- Works -- Fences -- Joe Turner's Come and Gone -- Ma Rainey's
Black Bottom
- In Bloom, Harold, ed. Modern
American Drama. Philadelphia : Chelsea House Publishers, c2005. pp.21-44.
Criticism -- Works -- Fences -- Ma Rainey's
Black Bottom
- Brown, C. "The Light in August." In Esquire. v. 111.
April, 1989. pp. 116-118, plus.
Biography -- Works
- Brustein, Robert. "The Lesson of 'The Piano Lesson'." In New Republic. May
21, 1990. New York : The Republic Pub. Co. pp. 28-30.
Criticism -- The Piano Lesson
- Cigdem, Usekes. "We're the Leftovers: Whiteness as Economic Power and Explotation in August Wilson's
Twentieth-Century Cycle of Plays." In
African American Review. Vol. 37, No. 1, Spring 2003, pp. 115-125.
Criticism -- Works
- Conway, Terry and Cornelius, Mary Ellen. "Fences"In English Journal.
Dec 1990. v79, n8. p82.
Criticism -- Fences
- In Contemporary
Authors, New Revision Series. Detroit : Gale Research Co. pp. 422-426.
Biography -- Criticism -- Works
- Devries, H. "A Song in Search of Itself." In American
Theater. V. 3. January, 1987. pp. 22-25.
Biography -- Works
- Freedman, S. G. "A Voice from the Streets. In New York Times
Magazine,
March 15, 1987. New York, N.Y. : The New York Times. pp 36+.
Biography --
- Gates, Henry Louis. "The Chitlin Circuit." In New Yorker. Feb 3,
1997. V. 72, n. 45. pg. 44.
Criticism --
- Gill, Brendan . "Hard Times." In New Yorker. V
60, n. 152. October 22, 1984. pg. 152.
Criticism -- Ma Rainey's Black Bottom
- Hornby, Richard. "Seven Guitars." In Hudson Review
Summer 1996. v49, n2. pg 284.
Criticism -- Seven Guitars
- Hornby, Richard. "Two Trains Running." In Hudson Review
Summer 1992. v45, n2. pg 293.
Criticism -- Seven Guitars
- Kanfer, Stefan. "Seven Guitars." In New Leader.
June 3, 1996. v79, n3 pg 23.
Criticism -- Seven Guitars
- In Kolin, Philip, ed. The
Influence of Tennessee Williams. Jefferson, N.C. : McFarland & Co., c2008. pp. 122-134.
Criticism -- Works -- Tennessee Williams
- Kramer, M. "The Piano Lesson." In New Yorker. V.
66. pp. 82-83.
Criticism -- The Piano Lesson
- In Krasner, David American Drama:
1945-2000. Malden, MA ; Oxford : Blackwell, 2006. pp. 132-139, 157-160.
Criticism -- Fences -- Joe Turner's Come and Gone -- Ma Rainey's Black Bottom -- The Piano Lesson -- Two
Trains Running
- Leiter, R. "Ma Rainey's Black Bottom." In Hudson Review. V.
38. Summer, 1985. pp. 299-300.
Criticism -- Ma Rainey's Black Bottom
- Lyons, Bonnie. "An Interview with August Wilson." In Contemporary Literature
, Volume 40, No. 1, Spring 1999. pp. 1-21.
Interview
- Mordecai, B. "The August Wilson Experiment: Buying Time." In American
Theater. V. 3. January, 1987. pg. 27.
Biography -- Works
- In Plimpton, George, ed. Playwrights at
Work. New York : Modern Library, 2000. pp. 346-368.
Criticism -- Interview
- Rich Frank. "Two Trains Running." In New York Times Theater
Reviews, 1991/1992. New York, New York Times, 1994. pp. 308-309.
(Originally published: April 14, 1992. Section C, pg. 13.)
Criticism -- Two Trains Running
- Rudolph, Amanda. "Images of African American Religions and Christianity in Joe Turner's Come
and Gone amd The Piano Lesson." In
Journal of Black Studies. Vol. 33, No. 5, May 2003, pp. 562-575.
Criticism -- Joe Turner's Come and Gone -- The Piano Lesson
- Seibert, Gary. "Fences." In America. V.
156, n. 24. June 20-27, 1987. pg. 508.
Criticism -- Fences
- Seibert, Gary. "Flesh and Blood Icons." In America. V. 158,
n. 15. April 16, 1988. pg. 410+.
Criticism -- Joe Turner's Come and Gone
- Taylor, Regina. "That's why they call it the Blues." In American
Theater. April, 1996. v13, n4. pg. 18.
Criticism -- Interview -- Works
- "Wilson, August." In Current Biography
Yearbook, 1987. New York, H.W. Wilson Co. pp. 607-610.
Biography --
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