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O'Neill, Eugene

  1. In Abbotson, Susan C. W. Masterpieces of 20th Century American Drama. Westport, Conn.: Greenwood Press, 2005. pp. 97-114.
    Criticism -- Long Day's Journey into the Night

  2. In Adler, Thomas. American Drama, 1940-1960. New York, Twayne Publishers, 1994. pp. 21-42.
    Criticism -- Plays -- Hughie -- The Iceman Cometh -- Long Day's Journey into the Night -- A Moon for the Misbegotten -- More Stately Mansions -- A Touch of the Poet

  3. In Bentley, Eric. Thinking About the Playwright . Evanston, IL : Northwestern University Press, c1987. pp. 27-56.
    Biography -- Criticism -- Works

  4. In Bigsby, C.W.E. Modern American Drama, 1945-1990. Cambridge, England; New York, NY, USA : Cambridge University Press, 1992. pp. 14-31.
    Criticism -- Works -- Hughie -- Long Day's Journey Into the Night -- A Moon for the Misbegotten -- More Stately Mansions -- A Touch of the Poet

  5. In Bloom, Harold, ed. Modern American Drama. Philadelphia : Chelsea House Publishers, c2005. pp.21-44.
    Criticism -- Works

  6. In Broussard, Louis. American Drama. University of Oklahoma Press, 1962. pp. 9-38.
    Criticism -- Plays

  7. In Brustein, Robert. Seasons of Discontent, 1959-1965. New York, Simon and Schuster, 1965. pp. 141-143.
    Criticism -- Strange Interlude

  8. In Brustein, Robert. The Theatre of Revolt. Boston: Little, Brown, 1964. pp. 319-360.
    Criticism -- Plays --

  9. In Bryer, Jackson R., ed. Fifteen Modern American Authors: A Survey of Research and Criticism. Durham, N.C.: Duke University Press, 1969. pp. 301-322.
    Biography -- Criticism -- Works

  10. In Carpenter, Frederic American Literature and the Dream. Freeport, N.Y., Books for Libraries Press [1968, c1955]. pp. 133-143.
    Criticism -- Plays --
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  11. In Clurman, Harold. The Divine Pastime. New York, Macmillan, 1974. pp. 138-140, 282-285.
    Criticism -- The Great God Brown -- Long Day's Journey into Night

  12. In Clurman, Harold. Naked Image. New York, Macmillan, 1966. pp. 28-33, 98-100
    Criticism -- The Great God Brown -- Long Day's Journey into Night

  13. In Cohen, Hennig, ed. Landmarks of American Writing. New York, Basic Books, 1969. pp. 353-367.
    Criticism -- The Iceman Cometh

  14. In Cohn, Ruby. Dialogue in American Drama. Bloomington, Indiana University Press, 1971. pp. 8-67
    Criticism -- Plays -- Ah, Wilderness! -- Desire Under the Elms -- Emperor Jones -- The Hairy Ape -- Hughie -- The Iceman Cometh -- Long Day's Journey into Night -- Moon for the Misbegotten -- More Stately Mansions -- Mourning Becomes Electra -- Strange Interlude -- Touch of the Poet

  15. In Cowley, Malcolm, ed. After the Genteel Tradition: American Writers, 1910-1930. Carbondale, Ill.: Southern Illinois University Press, 1964. pp. 103-113.
    Criticism -- Works --

  16. In Donoghue, Denis. England, Their England: Commentaries on English Language and Literature. New York: Knopf, 1988. pp. 151-160.
    Criticism -- Long Day's Journey into Night

  17. In Downer, Alan S. American Drama and Its Critics. Chicago, University of Chicago Press [1965]. pp. 78-115.
    Criticism -- Works --

  18. In Dusenbury, Winifred L. The Theme of Loneliness in Modern American Drama. Gainesville, University of Florida Press, 1960. pp. 26-37, 50-56, 74-85, 101-112, 125-134, 171-178.
    Criticism -- Anna Christie -- The Great God Brown -- The Hairy Ape -- The Iceman Cometh -- Mourning Becomes Electra -- Strange Interlude --

  19. In Finkelstein, Sidney. Existentialism and Alienation in American Literature. New York, International Publishers, 1965. pp. 149-153.
    Criticism -- Long Day's Journey into Night

  20. Gabbard, L.P. "At the Zoo: From O'Neill to Albee." In Modern Drama, Vol. 19, Dec. 1976, pp. 365-374.
    Criticism -- Albee, Edward -- The Hairy Ape -- The Zoo Story

  21. In Gascoigne, Barbara. Twentieth Century Drama . London [Hutchinson 1963, c1962]. pp. 109-120.
    Criticism -- Works

  22. In Gassner, John. Dramatic Soundings . New York, Crown Publishers, 1968. pp. 254-281, 546-547.
    Biography -- Criticism -- Works -- Marco Millions

  23. In Gassner, John. Masters of Drama . Cambridge, Mass., Harvard University Press, c1939. pp. 641-661.
    Criticism -- Works

  24. In Gassner, John Theatre At The Crossroads. New York, Holt, Rinehart and Winston [1960]. pp. 66-76, 235-241.
    Criticism -- Works -- Long Day's Journey into Night -- A Touch of the Poet

  25. In Gilmore, Thomas B. Equivocal Spirits: Alcoholism and Drinking in Twentieth-century Literature. Chapel Hill, N.C. : University of North Carolina Press, c1987. pp. 48-61.
    Criticism -- The Iceman Cometh

  26. In Gould, Jean Modern American Playwrights . New York, Dodd, Mead [1966] pp. 50-77.
    Biography -- Criticism -- Works

  27. In Heiney, Donald. Recent American Literature. Great Neck, N.Y., Barron's Educational Series, 1958> pp. 338-351.
    Biography -- Criticism -- Works

  28. In Holmberg, Arthur. The Lively Art. Chicago : Ivan R. Dee, 1999. pp. 41-43.
    Criticism -- A Moon for the Misbegotten

  29. In Krasner, David American Drama: 1945-2000. Malden, MA ; Oxford : Blackwell, 2006. pp. 35-37.
    Criticism -- The Iceman Cometh

  30. In Krutch, Joseph Wood. American Drama Since 1918 . New York, G. Braziller, 1957. pp. 77-120.
    Criticism -- Works -- Ah, Wilderness! -- Desire Under the Elms -- The Great God Brown -- Hairy Ape -- Mourning Becomes Electra -- Strange Interlude

  31. In Lamm, Martin Modern Drama. Oxford, Blackwell, 1952. pp. 315-333.
    Biography -- Criticism -- Works

  32. In Leaska, Mitchell A. The Voice of Tragedy. New York, R. Speller [1964, c1963]. pp. 273-278.
    Criticism -- Works -- Desire Under the Elms -- The Iceman Cometh

  33. In Lewis, Allan. American Plays and Playwrights of the Contemporary Theatre. New York, Crown Publishers, 1965. pp. 15-34.
    Criticism -- Works

  34. In Litratura SShA dvadtsatogo veka. 20th Century American Literature. Moscow : Progress Publishers, 1976. pp. 143-155.
    Criticism -- Works

  35. In Lumley, Frederick New Trends in 20th Century Drama. New York, Oxford University Press, 1967. pp. 115-125.
    Criticism -- Works

  36. In Mabley, Edward. Dramatic Construction . Philadelphia, Chilton Book Co., 1972. pp. 187-205.
    Criticism -- Desire Under the Elms

  37. In McCarthy, Mary. Sights and Spectecles. New York, Farrar, Straus and Cudahy, 1956. pp. 81-88.
    Critical -- The Iceman Cometh

  38. In Madden, David, ed. American Dreams, American Nightmares. Carbondale, Southern Illinois University Press, 1970. pp. 158-164
    Criticism -- The Iceman Cometh

  39. In Manheim, Michael. Vital Contradictions. Bruxelles ; New York : P.I.E.-P. Lang, 2002. pp. 161-201..
    Criticism -- Hughie -- The Iceman Cometh -- Long Day's Journey into the Night -- A Moon for the Misbegotten -- More Stately Mansions

  40. In Muller, Herbert J. The Spirit of Tragedy. New York: Knopf, 1956. pp. 311-319.
    Criticism -- Works

  41. In Sewall, Richard B. The Vision of Tragedy. New Haven : Yale University Press, 1959. pp. 161-174.
    Criticism -- Long Day's Journey into Night

  42. In Sheed, Wilfrid. The Morning After: Selected Essays and Reviews. New York, Farrar, Straus & Giroux, 1971. pp. 157-160.
    Criticism -- Hughie

  43. In Spiller, Robert E. The Cycle of American Literature. New York, Macmillan 1955. pp. 249-254.
    Criticism -- Works

  44. In Spiller, Robert E. Literary History of the United States. New York, Macmillan. 1963. pp. 1237-1250.
    Biography -- Criticism -- Works -- Desire Under the Elms -- The Hairy Ape -- Mourning Becomes Electra

  45. In Thorp, Willard. American Writing in the Twentieth Century. Cambridge, Mass., Harvard University, 1960. pp. 103-109.
    Criticism -- Works

  46. In Vogel, Dan The Three Masks of American Tragedy. Baton Rouge, Louisiana State University Press [1974]. pp. 41-54.
    Criticism -- Desire Under the Elms -- Mourning Becomes Electra

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